Analysis of 3 Opening title which are 'Spectre', 'Avengers' & 'UP'

 Spectre­-

0:09-Director

0:20-Main actor Daniel Craig

0:27-Writer

0:31-Title

0:40-Actor

0:44-Actor

0:47-Actor

0:50-Actor

0:53-Actor

0:56-Actors (x2)

1:01-Actor

1:08-Actor

1:12-Co-Producers

1:18-Main crew leaders

1:24-Edit and Sound leaders

1:30-Designers and Promotions

1:34-Effects and Visual leaders

1:40-Directors Assistant

1:55-Casting and Main title designers

1:59-Special effects and Stunt Co-ordinator

2:00-END

Avengers-

0:00-Director

0:05-Story by

0:12-Screenplay by

0:15-Producers

0:18-Executive Producers

0:22-Executive Producers

0:25-Director of photography

0:27-Production designer

0:30-Editors

0:33-Costume designers

0:37-Music by

0:40-Music supervisor

0:45-Visual effects supervisor

0:47-Visual effects producer

0:50-Casting by

0:56-Robert Downey JR

0:58-Chris Evans

1:00-Mark Ruffalo

1:05-Chris Hemsworth

1:11-Scarlett Johansson

1:15-Jeremy Renner

1:19-Tom Hiddleston

1:23-Carlk Gregg and Cobie Smulders

1:27-Jenny Agutter and Jerzy Skolimouski

1:31-Stellan Skarsgard

1:34-Samuel L.Jackson

1:38-Marvel Studio

1:41-Paramount Pictures

1:44-Marvel Studios

1:52-Joss Whedon

UP-

0:00-PIXAR

0:16-Walt Disney Presents

0:26-A PIXAR animation studio

0:32-UP Title

0:38-Ed Asner

0:44-Jordan Nagai

0:56-Bob Peterson

1:03-Director Pete Doctor

1:05-Producer Jonas Reviera

1:07-Music Michael Giacchino

1:19-Excecutive Producers John Lasseter and Andrew Stanton

In depth analysis of ‘Catch Me If You Can’ Title Sequence

0:03-0:08 (5 secs)-Dream Works

0:09-0:12 (3 secs)-Kemp Company

0:13-0:17 (4 secs)-Parkes/Mac Donald

0:18-0:23 (5 secs)-Steven Spielberg

0:23-0:27 (4 secs)-Leonardo DiCaprio

0:27-0:31 (4 secs)-Tom Hanks

0:44-0:48 (4 secs)-Title, Catch Me If You Can

0:48-0:52 (4 secs)-Christopher Walken

0:54-0:56 (2 secs)-Martin Sheen

0:58-1:02 (4 secs)-Nathaline Baye

1:04-1:07 (3 secs)-Amy Adams

1:15-1:19 (4 secs)-James Brolin  & Brian Howe

1:19-1:25 (6 secs)-Steve, Chris & John (crew)

1:29-1:32 (3 secs)-Debra Zane & Terri Tay (crew)

1:33-1:36 (3 secs)-Devorah Moos-Hankin (crew)

1:36-1:39 (3 secs)-Frank W.A & Stan Redding (crew)

1:39-1:42 (3 secs)-Kuntzel Deggas (crew)

1:45-1:49 (4 secs)-John Williams (crew)

1:51-1:54 (3 secs)-Mary Zophres (crew)

1:54-1:58 (4 secs)-Michael Kahn (crew)

1:58-2:00 (2 secs)-Jeannie Oppewall (crew)

When analyzing these film openings you begin to the notice the order of the credits starting with the Director , following with the main actors this helps you with the credits when applying these to your work, knowing what order to place the cast and crew is important making sure the director and main actors have the most air time because they tend to be the reason most people have gone to watch the film so they have longer time on screen compared to the supporting actors who have half the time, making sure you put head of each department is also a key factor so these factors have helped me and guide me for when I have to edit the credits.

This will help us with our final film cut due to our props we place on screen and the way our film is constructed if we was too show an stadium this could show the audience that our actor through out the film visits this location more than once the use of an photo with Bolt could indicate to the audience that he is the next worlds best.